| Volume | 5 | Date | 2013-07-30 |
|---|
Introduction: Ideology’s Provocation
Part 1 Arrival of “avant-garde” in Japan
Chapter 1: Encounter of vanguard and avantgarde
Chapter 2: Artists’ Blockade
Part 2 Geopolitics of War and “Avant-garde”
Chapter 3: Bonding Asia—Iijima Tadashi and Hungary
Chapter 4: Modern City of War and Revolution: Gunji Jiroumasa and Harbin
Chapter 5: Traveler, Observer, and Interpreter—Ito Sei and “Morning in Mexico”
Part 3 Rediscovery of Revival and Aesthetics
Chapter 6: Passion of a Restorer—Okamoto Taro’s Flower Patterns “Avant-guarde”
Chapter 7: Politicization of Aesthetics—Hanada Kioteru’s “Avant-guarde Art”
Chapter 8: Returnee Recreating Home—Abe Kobo and Surrealism
Chapter 9: ‘Avant-guarde’ in High-Growth Period—Novel, “Woman of Sand”
Closing: Whereabouts of Avant-garde
Epilogue
Appendix
